Posts Tagged Talking Stick
Each time that I start a music project I wait to see if the music is going to come out as solo Native American-style flute music or whether there will be orchestration. I admit to a certain soft spot for orchestrated soundtracks, and I think I naturally lean to string arrangements with the addition of traditional woodwinds like the silver flute and the oboe.
I can’t really say that I ever start a musical project — more truly, it starts me! The last project, “Talking Stick” was like that. The recording hiatus that I had planned ended abruptly even before it started. And here it comes again – “Tracking the Bear.”
As a videographer, I find that many of the tracks are suitable for backing tracks of life stories and testimonials of trans-formation. This is music of contemplation and transformation. The musical phrases do not often repeat, but instead follow an idea to a conclusion ‘in-the-moment.’
After completing the album, I noticed that the flute phrases would appear in different tracks, slightly altered as if they were sweetened scents on the wind. Of course! I was tracking a musical scent. I hope you enjoy the result. Look for it on BandCamp and iTunes in February, 2012.
About the Flutes
On this album, I used flutes made by the following friends and craftsmen:
About the flutes that I used:
Lately I have been drawn to flutes in keys below middle E.
Here is the track list with the flutes that I used:
1. Talking Stick – Anasazi flute in A by Stephen Deruby
2. Flume – Low Bb Bamboo flute by NZT Designs
3. Auriga – Jeff Ball Signature flute in Eb by Geoffrey Ellis
4. Perseids – Low Bb Bamboo flute by NZT Designs
5. Pondering Winter – Low G Redwood flute by Geoffrey Ellis
6. Iron Horses – Low A Sassafras flute by Leonard McGann
7. Camarilla – Anasazi flute in A by Stephen Deruby
8. Call to Kiva – Tigerwood flute in D by Geofrey Ellis
9. Astral Muse – Flame maple flute in Em by John Stillwell
10. Lone Wolf – Babinga flute in F# by John Stillwell
11. Fire Ceremony – Maple flute in C by Geoffrey Ellis
12. Eventide – swamp ash flute in low B by Geoffrey Ellis
13. Yellowthroat – peruvian walnut flute in E by Geoffrey
14. Rejoinder – Anasazi flute in A by Stephen Deruby
15. Entreaty – swamp ash flute in low B by Geoffrey Ellis
16. Accord – swamp ash flute in low B by Geoffrey Ellis
17. Closing -swamp ash flute in low B by Geoffrey Ellis
I thought that I would take a break from recording for a short time – but then I saw a talking stick in my mind’s eye. I am not sure where I heard about the lore of the talking stick; many cultures have employed something like it. The possession of the talking stick gives a council member the right to speak uninterrupted until the stick is passed to the next member. Possession of the stick is also said to empower the holder with the gift of clear communication.
Maybe because my brother was visiting me this year again and I was hoping to chat with him quietly heart-to-heart. There is no one in my life left who knew me as a boy; all of those friends are gone, and prematurely so. And although his visit was better in this regard than last year’s hotly delivered political opinions, I thought that maybe next year I will have a talking stick ready. Then maybe the ritual will let us shed the topical and experience the essential. That may be a tall order in an election year.
So I therefore have the working-title for the next flute project: “Talking Stick.” In this album, I will use the Native American style flute to scrape the surface of my personality away and attempt to get to my deepest feelings. I will use some orchestration, but minimally as a balm to a burn.
Typically, when I start a new project, I try to find or make an image that inspires me during the recording phase of the work. In this case, on a rainy day in the monsoon season of Arizona, I found a rattle made by Judy Derosa of Yosemite, and placed it on a sacred textile that was made in Peru and used for the Despacho ceremony. The Despacho is the shamanic ceremony of the Q’ero, the modern day Inca that is intended to bring balance into one’s life. The image that I made is shown below:
Which becomes this:
To begin the album, I used an EZ-Anasazi flute in the key of A made by my friend and master musician and craftsman, Stephen Deruby. You can hear the unnamed first track of this as-yet unreleased album by clicking here.
When I record for this album, I am hoping that the melodies will track directly to my heart and clear it so that I may play clearly, without artifice. I hope you enjoy it.